The opening sequence of Pitch Perfect 3 finds the Bellas aboard a luxury yacht doing a version of Britney Spears’ “Toxic” that feels even more synthetic than th...
The fact that America's past isn't without its horrific nightmares of misguided violence and oppression shouldn't be lost on anyone, especially not with everyth...
Best to get this out of the way first. Though The Greatest Showman, directed by visual effects artist and first-time filmmaker Michael Gracey, tells the story o...
Some obligatory credit is due to those ambitious (or, depending on the results, naive) enough to establish their name as a feature film director in 2017 on the ...
The tranquil blue introduction. The boom of the Williams fanfare. The warm yellow crawl. They invite you home to the familiar, a place in the past where wondrou...
Grand ideas changing skylines and sidewalks take center stage in Big Time, an illuminating portrait of starchitect Bjarke Ingels. Directed by Kaspar Astrup Schr...
After Steven Spielberg and company broke visual effects barriers with Jurassic Park, two years later, 1995’s Jumanji brought more large-scale, creature-focused ...
On a basic level, Paul Thomas Anderson makes films about magnetic presences — figures who emanate such greatness that it’s nearly as impossible for bystanders ...
When asked about the representation of the Holocaust in Schindler’s List, Stanley Kubrick responded: “Think that’s about the Holocaust? That was about success, ...
You may not know the name Recy Taylor, but you've definitely heard her story. It's one of rape, lies, and cover-ups. It's one of irreparable physical and psycho...
