If the protagonist of Diamantino reminds you of a certain celebrity it is, as we can only presume, not accidental. The character in question–for whom this hallu...
To think about a romantic serial killer thriller is to conjure thoughts of Natural Born Killers and its duo of equally despicable characters. It's easy to belie...
In spite of its laborious title, Sicario: Day of the Soldado barrels through with an almost alarming simplicity. Taylor Sheridan’s follow-up script to the 2015 ...
It is infrequent -- but not totally rare -- to come across a film where a singular, simple formal decision fully encapsulates the underlying ethos and intention...
After the apocalyptic implications following the cliffhanger of Avengers: Infinity War, one wonders where Marvel could go next. Small, of course. Ant-Man was th...
“I’m like everyone else,” writes about himself Cristiano (Aristides de Sousa), the working class hero at the center of Affonso Uchoa and João Dumans’ Araby, “It...
The romantic comedy is dead. Long live the romantic comedy. There is a speed to the dialogue and action in Set It Up, directed by Claire Scanlon, that speaks to...
The history of film critics contributing to or creating actual films is long and storied. From the groundbreaking works of Cahiers du cinéma writers that made u...
A once-dormant entity is resurrected and vulgarly mutated to fit the irresponsible demands of an entire population in the name of capitalist greed–this is not o...
With a riveting central performance by Shirley Henderson as a woman dealing with advanced Parkinson's, you wouldn't be blamed for thinking Kathleen Hepburn's Ne...
