In the 12 years since his Oscar-nominated documentary Iraq in Fragments, director James Longley has been in search of a suitable follow-up. A project on Iran fe...
Don’t Leave Home has an opening composition reminiscent of a postcard and a closing moment like a strange dream. Between these moments is a film that turns idyl...
The morning of August 4, 1892, Lizzie Borden discovered the bodies of her father and stepmother who had been axed to death in their house. She went on to become...
The conversation surrounding Black Lives Matter is (and should be) about the victims of police violence who've yet to see any killers in blue face real conseque...
By Bedatri D. Choudhury
I remember the November 26, 2008 Mumbai attacks very well; my family and I were in Delhi for a cousin’s wedding and cooped up in a hote...
By Bedatri D. Choudhury
Kim Nguyen’s The Hummingbird Project depicts a strange bromance between cousins Vincent (Jesse Eisenberg) and Anton (Alexander Skarsgår...
It’s impossible to separate American Dharma, the latest film from legendary documentary filmmaker Errol Morris, from the controversy surrounding its subject. S...
The summer between middle school and high school is a formative one for any kid. There's this sense of moving away from childhood and towards young adulthood — ...
While High Life has understandably drawn all kinds of comparisons to the 60s and 70s cerebral sci-fi canon (notably Solaris and 2001: A Space Odyssey), for both...
Morbid or not: I love when stationary characters turn to the camera only to be hit by a vehicle coming from offscreen. There's something that's just immensely s...
