It's the beginning of the end for Angus Stewart (Richard Dreyfuss). His wife recently passed after a difficult and costly bout with dementia, his heart isn't wh...
After forays into horror-comedy (Piranha 3D) and dark fables (Horns), New French Extremity director Alexandre Aja comes full circle with straight-forward, gnarl...
We don't get our bearings as far as locale and characters go until a little ways into Alexandre Carrière's Jade's Asylum. While we've already met Jade (Morgan K...
A one-man show on-screen and behind it, Gints Zilbalodis' Away is an obvious labor of love. Opening like a videogame wherein our lead is found dangling by parac...
There are roughly two key types of autobiographical auteur movies. One is the phantasmagoric childhood upbringing kind–as in Fellini's Amarcord or, more recentl...
Director Hideo Nakata brought novelist Kôji Suzuki's Ring series to the big screen two decades ago and spawned a laundry list of sequels, American remakes (one ...
The film opens on an affluent white couple living close enough to the Mexican border for another character to later say, "You can't open the door to strangers i...
There's a point in Lynn Shelton's Sword of Trust where the four principal characters are being led into a situation with as much chance of ending in their death...
The new film from Casey Affleck arrives at the tail end of a smattering of telling coincidences and sliding door moments. In February 2017, he won an Academy Aw...
What a difference a day makes. Allowing one's characters to move from narrative point A to narrative point B in the same amount of time it takes for the Earth t...
