We meet Phil McGuire (Greg Kinnear) exiting his parked car while still in traffic to climb up a bridge railing. It's a one hundred-plus foot drop into the water...
In its final moments, Spider-Man: Far From Home muses that people will believe anything. This fairly blatant observation of the not-too-distant future setting o...
After an excitingly popular debut during The Conjuring's prologue, the creepily revamped Annabelle doll (its real-life counterpart was actually a Raggedy Anne) ...
Ari Aster wants you to know you’re screwed–that is, if you’re on the wrong side of a deal with demons or deities. In the wake of last year’s wickedly captivatin...
De Lo Mio begins with a tidy visual metaphor: a man carefully opens many blinds to let light into a dark room. The three siblings in Diana Peralta’s debut featu...
It was said upon the release of Toy Story 3 that the franchise was done as far as Woody (Tom Hanks) and Buzz Lightyear's (Tim Allen) adventures were concerned. ...
It's not every day we see a remake of a currently running franchise, but now there is Child's Play. While original screenwriter Don Mancini continues to advance...
Is it possible for a documentary about the Rolling Stones to be (gulp) boring? Probably not. There are, after all, endless stories of the brilliance, boldness, ...
Tom Harper’s Wild Rose is a film whose fixation on authenticity is directly at odds with its own craft. A corrective to the recent spate of self-absorbed super...
It’s no wonder Netflix is distributing the latest work in the Shaft cinematic universe internationally, skipping a theatrical release in many territories. Tim S...
