Though she had just experienced the racial abuse of a redneck throwing a glass bottle at her Native American roommate Chrissy B. (Devery Jacobs) before screami...
A moment at the beginning of Sarah T Schwab's adaptation of Life After You tells you all you need to know about the central mother-son relationship. Linda (co-...
Mike Mills could be described as a graphic designer. Or a musician. Or a music-video director. He’s a frequent collaborator of The National, directing a short ...
The concept behind Kyoshi Sugita’s Haruhara-san’s Recorder is resembling the structure of the Naoko Higashi poem on which it's based. Said poem, a tanka, is in...
Ted Fendt’s Outside Noise is largely noiseless. Without background music, following the lives of three women traveling back and forth between Vienna and Berlin...
Jimmy Ray (Jason Sudeikis) is 12 years into a 15-year prison stint for armed robbery. He pled guilty, so there's no "you got the wrong guy" play up his sleeve ...
In summer 2020, faced with the unenviable choice between canceling and going virtual—which was never really an option, given its longstanding anti-streaming st...
“This never happened to the other fellow” quipped a young, eager George Lazenby in 1969. The opening of Peter R. Hunt’s On Her Majesty’s Secret Service is to d...
Magical realism, or even history-fantasy hybrid films, serve the narrative purpose of allowing protagonists to transcend their experiential reality and find so...
Trauma, prison reform, closeted homosexuality—all subjects given their due in Venom: Let There Be Carnage, the second chapter in the continuing saga of Eddie B...
