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    • Exclusive: Cinema Guild Acquires the Films of Margarida Cordeiro and António Reis

    • Exclusive: Kevin Walker and Jack Auen’s Debut Feature Chronovisor Acquired by Grasshopper Film

    • Watch: Brady Corbet Directs Robert Pattinson in 1664 Commercial, Shot by Lol Crawley

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    • The Invite Trailer: Seth Rogen, Olivia Wilde, Penélope Cruz, and Edward Norton Have a Night to Remember

    • The Last One for the Road Trailer: Take an Inebriated Trip Through Italy

    • Blue Film Trailer: Controversial Camboy Thriller Arrives This May

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    • The Christophers Review: Steven Soderbergh’s Somewhat Dull Actors’ Showcase

    • Bunnylovr Review: A Compelling, Messy Character Study in Social Isolation

    • Faces of Death Review: Smartly Crafted Remake Investigates the “Sicko” in All of Us

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    • 13 Films to See at 2026 New Directors/New Films

    • Posterized April 2026: Blue Heron, The Christophers, Exit 8 & More

    • NYC Weekend Watch: Tsai Ming-liang, Ken Jacobs, Gender Transgression & More

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    • Isabelle Huppert on Becoming a Vampire, Ulrike Ottinger’s Timeless Touch, and Asghar Farhadi’s Parallel Tales

    • François Ozon on the Existentialism of The Stranger, Arab Representation, and Bressonian Acting

    • The Blue Trail Director Gabriel Mascaro on Coming-of-Age Inversion, Playful Dystopias, and Conservative Awakenings

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    • Dolphins and Drugs: Michael Almereyda and Courtney Stephens on Capturing the Work of John Lilly

    • The B-Sides of Spike Lee

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    • Exclusive: Cinema Guild Acquires the Films of Margarida Cordeiro and António Reis

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News

Olivier Assayas Begins Production on Hors du Temps with Vincent Macaigne

First Images from Yorgos Lanthimos’ Poor Things, Set for September Release

Exclusive First Look at Amat Escalante’s Cannes-Bound Drama Lost in the Night

The Wait is Over: New Images from Martin Scorsese’s Killers of the Flower Moon Have Arrived

Watch Matías Piñeiro, Alexander Koberidze, Kiro Russo & More Discuss Their Approach to Filmmaking in Masterclasses

Cannes Film Festival 2023 Adds New Films by Lisandro Alonso, Amat Escalante, Pedro Costa & More

MUBI Unveils May 2023 Lineup

The Criterion Channel Reveals May Lineup: Jennifer Jason Leigh, Seijun Suzuki, Demonlover, Infernal Affairs & More

The Film Stage & Bleeding Edge Present the Toronto Premiere of Bertrand Bonello’s Coma This May

Cannes Directors’ Fortnight 2023 Features New Films by Hong Sangsoo, Michel Gondry, Sean Price Williams & More

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Isabelle Huppert on Becoming a Vampire, Ulrike Ottinger’s Timeless Touch, and Asghar Farhadi’s Parallel Tales

Exclusive: Cinema Guild Acquires the Films of Margarida Cordeiro and António Reis

The Christophers Review: Steven Soderbergh’s Somewhat Dull Actors’ Showcase

Exclusive: Kevin Walker and Jack Auen’s Debut Feature Chronovisor Acquired by Grasshopper Film

Bunnylovr Review: A Compelling, Messy Character Study in Social Isolation

The Invite Trailer: Seth Rogen, Olivia Wilde, Penélope Cruz, and Edward Norton Have a Night to Remember

13 Films to See at 2026 New Directors/New Films

Faces of Death Review: Smartly Crafted Remake Investigates the “Sicko” in All of Us

The Last One for the Road Trailer: Take an Inebriated Trip Through Italy

Posterized April 2026: Blue Heron, The Christophers, Exit 8 & More

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