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    • David Fincher’s The Adventures of Cliff Booth Sets Global IMAX Release This November

    • Leos Carax’s Annette Follow-Up Lily May B to Shoot Next Year with Jenna Ortega

    • The Criterion Collection’s August Lineup Includes James Gray, Todd Haynes, and More

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    • Exclusive Trailer for Bouchra Presents an Acclaimed, Personal Hybrid Animation

    • Sophie Thatcher and Charles Melton Lead First Teaser for Nicolas Winding Refn’s Her Private Hell

    • Exclusive Trailer and Poster for Lisandro Alonso’s Double Freedom Marks a Powerful Reunion

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    • Tuner Review: An Entertaining, Conveniently Scripted Caper

    • Cannes Review: Andrey Zvyagintsev’s Minotaur Is a Fascinatingly Lopsided Drama

    • Cannes Review: Victorian Psycho Is Gothic Horror with Confidence and Verve

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    • New to Streaming: Miroirs No. 3, Kill Bill: The Whole Bloody Affair, Mother Mary, Palestine 36 & More

    • The Best Movies Now Playing in Theaters

    • New to Streaming: Yes, The Love That Remains, The Christophers, Project Hail Mary & More

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    • “Making Movies Should Be a Pleasure”: Olivier Assayas on The Wizard of the Kremlin

    • “Everything Is By Chance”: Tony Leung on Silent Friend, Léa Seydoux, and Ryûsuke Hamaguchi

    • Silent Friend Director Ildikó Enyedi on Capturing a Tree’s Perspective and the State of a Soul

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    • The B-Sides of Laurence Fishburne with Mitchell Beaupre

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    • Ryûsuke Hamaguchi on Passion, Learning from Kiyoshi Kurosawa, and Rethinking How to Make Films

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    • Cannes Review: Cristian Mungiu’s Fjord Is a Thunderous, Opulent Triumph

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News

Exclusive Poster for 2026 Edition of Los Angeles Festival of Movies, Taking Place April 9-12

Olivier Assayas Plans Sequels to Something in the Air and Suspended Time

Christian Petzold Wants Nina Hoss and Paula Beer to Star in His Next Film

First Look at Martin Scorsese’s What Happens at Night Starring Leonardo DiCaprio and Jennifer Lawrence

Amnesiascope Presents Films by Raúl Ruiz and Dominik Graf on March 30 and 31

April on the Criterion Channel Includes Out-of-Print Editions, Jacques Tourneur, Mary Bronstein, Trans Filmmakers & More

First Poster for Ryusuke Hamaguchi’s All of a Sudden, Primed for Cannes Debut

Nuri Bilge Ceylan Sets Summer Shoot for New Film Pale Sun

The Criterion Collection’s June Lineup Features John Waters, Jafar Panahi, Lav Diaz, Med Hondo, and More

New Directors/New Films 2026 Lineup Unveiled

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The B-Sides of Laurence Fishburne with Mitchell Beaupre

New to Streaming: Miroirs No. 3, Kill Bill: The Whole Bloody Affair, Mother Mary, Palestine 36 & More

Tuner Review: An Entertaining, Conveniently Scripted Caper

Cannes Review: Andrey Zvyagintsev’s Minotaur Is a Fascinatingly Lopsided Drama

Cannes Review: Victorian Psycho Is Gothic Horror with Confidence and Verve

The Best Movies Now Playing in Theaters

I Love Boosters Review: Boots Riley Again Takes Dead Aim at Capitalism in Zany Comedy

Stolen Kingdom Review: A Light but Entertaining Look at Disney Obsessives

Cannes Review: The Man I Love Presents a Lovingly Detailed World and Lacking Lead Performance

David Fincher’s The Adventures of Cliff Booth Sets Global IMAX Release This November

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