[Hamburg Review] Neon Bull

From Blue Is the Warmest Color to Stranger by the Lake, from Pride to The Danish Girl, movies dealing with LGBT issues or characters have become ever more prese...

‘Son of Saul’ Director László Nemes on Capturing a Portrait of Hell and the Spiritual Experience of Cannes

We talk to the director behind one of the year's most extraordinary films about the reaction, his process, and more....

Tsai Ming-liang Discusses Breaking Cinematic Restrictions, Perfecting Images, and More

We talk with the legendary director about his process of creating unforgettable images, and much more, while at the Venice Film Festival....

[TIFF Review] Mr. Six

From the late 80’s until the early 00’s, Chinese cinema has been a mainstay at A-list film festivals worldwide, picking up trophies left and right. Things chang...

[Venice Review] From Afar

Proving yet again that festival juries don’t read the trades or pay attention to chatter, the Golden Lion of the 72nd Venice Film Festival was presented to the ...

Juliette Binoche Talks Taking Risks, Commonality of Great Directors, and Editing Experience

"When you act, you don’t want to protect yourself. There’s no escaping. "...

‘The Clan’ Director Pablo Trapero on the Film’s Relevance for Argentina, Biggest Inspirations, and More

"For me, the real relationship with a movie starts when it finishes."...

‘The Wait’ Director Piero Messina Discusses Bringing Out Juliette Binoche’s Character, Numerous Takes, and More

"It took a while, it was a slow process, but the character gradually took shape through repetition."...

‘The Clan’ Leads Discuss the Emotional Stress of Playing Villains, Political Context, and More

"The director and I worked a lot to make this character very different from what I am, so people don’t even recognize me on screen."...

[Venice Review] Afternoon

It’s always been easier to review Tsai Ming-liang’s films than to make sense of them. Characterized by an often impenetrable language of silence and immobility,...