First thought: "Shaun the Sheep? What is this nonsense?" But then, it turns out, my judgement was too fast: the Chicken Run and Wallace & Gromit credits...
After Cannes choosing Emmanuelle Bercot's Standing Tall as their opening-night selection helped bring further to light gender inequalities that so pervade c...
After floating under the radar for a bit of time -- it premiered in the long-forgotten age of March, 2014 -- the Spanish relationship drama 10,000 km (forme...
Despite the wide crop of potentially great cinema it's going up against, Son of Saul is, to many eyes, the best film of this year's Cannes. Our man on the g...
With Saint Laurent, Bertrand Bonello may not have lived up to the acclaim earned by his previous feature, House of Tolerance, but when a) the latter was pre...
Save for some alternate, high-concept staging that actually knows why it should break from a well-worn tradition, another Macbeth really isn't something the...
"From my point of view, cinema’s departure from the movie theater is part of a natural progression of things, just like contemporary art is escaping the galle...
Although Irrational Man (review) and Inside Out yield lesser interest than other Cannes titles by dint of having close release dates, there are still worthw...
Things rarely seem easy for Abel Ferrara, an artist whose tough, uncompromised vision often makes difficult the acquiring of funds -- and even when the man ...
By just about every account -- including its creator's "silent" judgement -- Dying of the Light, or the approximation of Dying of the Light that slithered i...
