While watching The Mend, the debut feature from writer-director John Magary, I was often reminded of a favorite point from Roger Ebert’s review of Pulp Fiction....
From his years shooting and directing features, most notably under the guidance of Wong Kar-wai, Christopher Doyle's developed a love and eye for Hong Kong ...
With the help of Twitter, Facebook, Tumblr, Instagram, and, well, just about any social-media platform, U.S. citizens have never been more aware of police b...
If you know much of anything about the current film climate, you know that releases can easily get screwed up. Things might go years without receiving any n...
Taxi, the third film Jafar Panahi has directed under the cloud of a 20-year, Iran-sanctioned filmmaking ban, seized worldwide attention upon earning the Gol...
Right up above is the first official image from Star Wars: Rogue One, the series' first anthology film and the next endeavor from Godzilla's Gareth Edwards....
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory showings into one handy list....
Among some of last year's stiffest competition, Naji Abu Nowar rose to the top of Venice's crop with his Best Director winner Theeb. Reviews posted there an...
Criterion have long ensured that L'Eclisse remains in a good, accessible condition, but that certainly isn't applicable for the big-screen experience. Excep...
Since Upstream Color began its run in 2013, those who care even a bit about Shane Carruth have known he's developing a new project entitled The Modern Ocean...
