If we're being honest -- and it's not as if I'll just lie to you -- closing titles at the Cannes Film Festival are, generally speaking, an underwhelming cro...
With our coverage just about wrapped-up and all the competition titles screened, it's time to put a bow on the 2015 Cannes Film Festival. With that, the jur...
There's no documentary at Cannes that we anticipate more greatly than Hitchcock/Truffaut, a multi-stories examination of two men, one decades-long body of w...
When he needed money to support passion projects, Orson Welles saw few things -- maybe no things, for all we know -- as unworthy of his time. From documenta...
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repe...
It's as if Kurt Kuenne has set a personal goal of making audiences weep. The narrator-writer-director of Dear Zachary hasn't been heard from much since that...
The cancellation of Looking has hardly been an impediment to Andrew Haigh. Mere months after 45 Years premiered at Berlinale to fine notices, the English wr...
First thought: "Shaun the Sheep? What is this nonsense?" But then, it turns out, my judgement was too fast: the Chicken Run and Wallace & Gromit credits...
After Cannes choosing Emmanuelle Bercot's Standing Tall as their opening-night selection helped bring further to light gender inequalities that so pervade c...
After floating under the radar for a bit of time -- it premiered in the long-forgotten age of March, 2014 -- the Spanish relationship drama 10,000 km (forme...
