Martin Scorsese's Avengers-esque mob picture The Irishman has been talked about for a long time, and almost always as no more than a possibility, even a dre...
Since any New York cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory...
Any film -- great or awful, silly or serious -- that is attuned to its national climate will have some way of leaving its foreign viewers in the dark, and w...
Update: THR is reporting the film has now being shelved because the filmmakers don't actually have the rights to the novel -- classic mistake. Check out the...
Within the wide-ranging international conversation surrounding contemporary cinema, few names land on best-working-filmmaker lists as often as Jia Zhangke -...
Update: Magnolia has acquired the film, officially titled Ismael’s Ghosts, Variety reports.
When interviewing Arnaud Desplechin last fall, I briefly got ...
Excepting a handful of his contemporaries, no director encourages widespread debate as much as Terrence Malick, a once-revered mystery man whose increasingl...
In the summers of 2012 and 2015, the question I found myself asked most often -- other than "do you understand that this is a family restaurant?" -- was "re...
With three Sundance premieres under his belt, it may have only been a matter of time before Antonio Campos (Christine, Simon Killer, Afterschool) moved onto...
