Excepting, say, Toni Erdmann, no 2016 premiere has earned quite the wave of acclaim bestowed upon Jim Jarmusch's Paterson, which we called "a fresh new mast...
Henry: Portrait of a Serial Killer's nature has long prevented the mainstream exposure some horror films of its era (e.g. The Evil Dead) were able to attain...
If you can absolutely expect one thing from Paul Schrader, it's the work of an artist whose particular worldview, no matter the production-related constrain...
Gianfranco Rosi's Fire at Sea has the makings of a deeply fascinating documentary -- largely because it's in the "meta-fictional" camp that raises the anten...
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repe...
There may be no actor who so forcefully brings budding film lovers into world cinema as Toshiro Mifune, the Japanese wild man who redefined period epics and...
Perhaps I just live in a bubble, assuming that everyone's exhaustion with the Gallagher brothers had, among some other things -- e.g. the sense that nostalg...
By all accounts, Kim Ki-duk took it a bit easier with his newest drama, The Net. There is no swallowing of fish hooks, skinning of frogs, or plunging of han...
Let's start with this bit of good news: Paul Schrader's Dog Eat Dog will begin its U.S. release on November 4, courtesy of RLJ Entertainment. Although our r...
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repe...
