The NYFF main slate largely consists of well-established and years-in-the-making auteurs, which inevitably means that the -- note: I rather dislike this ter...
Since any New York cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory...
Like it or not, Christopher Nolan's Dunkirk is poised to be one of 2017's biggest films, a work whose very outline -- one of our few bankable working filmma...
Those with even some interest in gardening -- the passion it inspires in people of all kinds, the dignity of its required labor, the camaraderie these passi...
That one behind-the-scenes photo was just the beginning... of more behind-the-scenes photos. Production on Terry Gilliam's The Man Who Killed Don Quixote ha...
I saw Marcin Wrona's Demon under what I'd consider ideal circumstances: as a blind viewing at the tail-end of last year's Camerimage Film Festival, by which...
They have saved the best for last -- or, rather, the most enticing of three works that have been highlighted in advance of a larger slate. Following announc...
Francis Ford Coppola's "late" career is a deeply rewarding thing -- a film-by-film exemplification of what happens when great artists appear to be working a...
Considering how fine the Martin Scorsese-approved Blu-ray looks, it's worth asking what, if anything, had been done to supplement Taxi Driver's somewhat ine...
Due to the mountain of clips necessitated by the visual essay format, Thom Andersen's work often carries with it a burden of inaccessibility, so consider th...
