Even as one who loves his work and the traffic it brings this site, I can readily admit that we probably have just about enough in the way of David Lynch-re...
I have seen Kiyoshi Kurosawa's Daguerrotype, and the most I'm currently allowed to say is this: no, I've not yet learned how to blind-type that title. (It's...
According to our coverage, this year's Cannes Film Festival was among the more fulfilling in recent memory, which might explain why a (reportedly) solid eff...
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repe...
By Jove, here's a real find: in the 1980s, Michelangelo Antonioni traveled with his partner, actress and filmmaker Enrica Fico Antonioni, to Japan with the ...
Bertrand Bonello has been directing features for almost 20 years and has yet to make a clear breakthrough with the U.S. art-house scene. When I say his last...
Spiritual sequels are Richard Linklater's new forte, it seems. Following 2016 favorite Everybody Wants Some!!, the writer-director is focusing his attention...
It's been a little while since we heard from Spike Jonze, whose last public work was the video for Kanye West's "Only One" -- and which, sure, actually stan...
The primary means of thinking through John Ford's cinema tends to be visual -- which, yes, is only fair when his mastery of blocking, cutting, and pacing ar...
