Robert Downey Sr.'s accolades and popularity pale in comparison to his son. While Downey Sr. focused on writing and directing underground cinema in the 1960s a...
Chinonye Chukwu’s Till finds the Clemency writer-director facing the story of Emmett Till, the 14-year-old boy lynched in 1955. More specifically the story of ...
Claire Denis has had a busy year. Her two films, Both Sides of the Blade and Stars at Noon, premiered at Berlinale and Cannes, respectively. Blade earned the S...
With Clemency, Chinonye Chukwu was the first Black woman to win the U.S. Dramatic Grand Jury Prize at Sundance. Three years later she returns with another stor...
When watching documentarian Alex Pritz’s The Territory, the conflict becomes all-consuming. The Uru-eu-wau-wau, less than 200 of them, become the clear heroes....
For a film filled with piles of dead bodies, generational family trauma, and a general bad-luck vibe, David Leitch’s Bullet Train lacks any sense of authentici...
The Wizard of Oz has become a tradition. Synonymous with the wonder of childhood and the wonder of movies, Victor Fleming's 1939 classic plays in homes across ...
The Chelsea Hotel has a storied history of artistry, creativity, and death. Coming to fame as a place for bohemians to find cheap rent, it grew in notoriety wi...
Don’t Make Me Go matches John Cho with Mia Isaac for a father-daughter road trip across the states. From director Hannah Marks and screenwriter Vera Herbert, t...
After the success of 2020’s Shithouse, 25-year-old filmmaker Cooper Raiff had expectations for a follow-up. His sophomore feature, Cha Cha Real Smooth, finds t...