Sophie Jones, the creation from co-writing cousins Jessica and Jessie Barr, excels when focused on the eponymous high schooler’s detachment from friends and fa...
For four minutes of curator Sam Abbas’ 58-minute collection of docushorts from several European and American cinematographers, the camera sits on wrinkled bed ...
Julie Delpy’s newest film My Zoe finds the actress, writer, and director in a different, albeit much darker place. Starring as a mother with a young daughter w...
After building a career as an actor, first-time director Fran Kranz found his passion in the form of Mass. Framed as a conversation between two sets of parents...
With his films growing in popularity and success––capped off by his highest earner Baby Driver––Edgar Wright received the backing to direct his first documenta...
First Date contains all the trappings of a first film. With a minimal budget, the technicality of Darren Knapp and Manuel Crosby’s debut feature falters, unabl...
Clint Bentley’s Jockey sources its strength from its casting. Led by a career-best Clifton Collins Jr. and supported by more-than-solid performances from Molly...
Swedish director Frida Kempff’s debut feature Knocking taps into a human moment: attempting to sleep and hearing a persisting noise just outside of your grasp....
John and the Hole, the directorial debut from Pascual Sisto, is exactly what you’d expect from its title. The film, written by Nicolas Giácobone of Birdman, de...
Lowell High School sits in the southwest corner of San Francisco, below Golden Gate Park and near Lake Merced. In a city filled with money, technology, entrepr...
