William Friedkin's passing was coupled with anticipation for The Caine Mutiny Court-Martial, a Venice-premiering and Showtime-bound adaptation of Herman Wouk's...
Legend has it Renate Reinsve's still running with a joyful expression, but Joachim Trier is soon bringing her back into the fold: with regular co-writer Eskil ...
And with that, Criterion's year closes out. They've ended 2023 with a small set of additions, on the 4K front rescuing Guillermo del Toro and Mark Gustafson's ...
It was just a few months ago that John Carpenter proudly proclaimed a return to the director's chair. In his case a couch: a new series entitled John Carpenter...
Unless Taylor Swift's concert film truly surprises, we imagine the trippiest film to arrive this year will be landing on the same release date of October 13. E...
Few titles from this year's Cannes were a bigger surprise than The Delinquents, a three-hour-plus Argentinian crime comedy with existentialist leanings. Word f...
After years of rumors, confirmations, production, post-production, waiting for release news, a Cannes premiere, and two-week theatrical delay, we might abstain...
After seven long years following the one-two, varied punch of Midnight Special and Loving, director Jeff Nichols is finally back. The Bikeriders––bringing toge...
Fallen Leaves, Aki Kaurismäki's first film since 2017’s The Other Side of Hope, took home the Jury Prize from this year's Cannes while charming critics more th...
Word on Wim Wenders' Perfect Days is strong––stronger than any fiction feature he's made since, God, who can even count. But though its Cannes premiere nabbed ...
After graduating from Hampshire College with a degree in music theory, Leonard Pearce turned his passions to film and writing. He lives in upstate NY with his wife Laura and cat Tardi.
