After finishing his blockbuster smash hit The Avengers, Joss Whedon went in the opposite direction with his black-and-white, miniscule-budget Shakespeare ad...
When it comes to comic book movies, a certain amount of rumors are to be expected, but it was reaching incessant, drawn-out levels when it came to Chronicle...
While most concert documentaries take on the standard approach of a mix of on-stage footage and a collection of interviews, as well as the occasional back-s...
Perhaps the finest theatrical experience I had last year was witnessing a restoration of Jacques Demy's charming 1964 French musical The Umbrellas of Cherbo...
This summer, Godzilla will stomp back into theaters and while we may be naive, with Gareth Edwards behind the camera and a strong cast, we're actually looki...
After spending extensive time with just Robert Redford at sea, All is Lost director J.C. Chandor is returning to a bigger ensemble, akin to his debut Margin...
After proving they can make a reboot work with 21 Jump Street, Phil Lord and Chris Miller convinced us they can take a brand and turn into a worthwhile, hil...
Released late last summer, unfortunately Cinedigm didn't have the resources to give Brie Larson an awards campaign for her role as social worker for trouble...
Just a year before his drama Slumdog Millionaire grossed nearly $400 million worldwide and picked up a Best Picture Oscar, Danny Boyle's sci-fi thriller Sun...
From early on his career, Lars von Trier has been endlessly fascinated with breaking down and shifting structure and style in his films, evidenced in the me...
Jordan Raup is the founder and editor-in-chief of The Film Stage and a Rotten Tomatoes-approved critic. Track his obsessive film-watching on Letterboxd.
