After winning the Oscar for his austere drama Ida, Paweł Pawlikowski returned this year, premiering his latest film Cold War at the Cannes Film Festival, wh...
It's been six long years since Leos Carax premiered Holy Motors at the Cannes Film Festival and we've been awaiting his follow-up ever since. Gestating for ...
The stunning vistas aren't the only signifiers of the western genre in Damsel, yet we quickly grasp that David and Nathan Zellner have crafted revisionist t...
Jean Cocteau's filmography could be considered relatively modest compared to some of his French brethren -- but with an output among cinema's most immense, ...
After winning the Palme d'Or for his latest drama Shoplifters (our review), the always-prolific Hirokazu Kore-eda is already embarking on his next project, ...
Far and away our most-anticipated film at the 2018 Cannes Film Festival isn't even premiering in the competition lineup. Bi Gan's dreamlike odyssey Kaili Bl...
Alexandre Moors' Blue Caprice was a harrowing, stunningly-shot depiction of the D.C. sniper attacks. The director made his return at last year's Sundance wi...
Before he gets small later this summer, Paul Rudd is doing some good ol' fashioned drama with The Catcher Was a Spy. Premiering at Sundance earlier this yea...
Jordan Raup is the founder and editor-in-chief of The Film Stage and a Rotten Tomatoes-approved critic. Track his obsessive film-watching on Letterboxd.
