In what feels like unprecedented territory, Eduardo Williams has followed his 2016 breakout experimental film The Human Surge––not with a sequel, but thre...
A seemingly blissful union rapidly crumbles in Valérie Donzelli’s Just the Two of Us, a domestic abuse-drama presented as a harrowing-if-simplified psychologic...
Breaking through the rare echelon of not just solid family entertainment but actually among some of the best films of their respective years, the Paddington fr...
There’s an argument to be made that the single image which best exemplifies pure cinematic wonder is the Archers logo. The introductory title reel belonged to ...
Crafting the best American movie of the year thus far with I Saw the TV Glow, Jane Schoenbrun has enjoyed success form their mesmerizing odyssey of identity an...
We're delighted to exclusively announce that Grasshopper Film has acquired the digital and non-theatrical North American distribution rights to I’m “George Luc...
Pier Paolo Pasolini's Teorama was released nearly 60 years ago, but the surrealist masterpiece still continues to inspire to this day. Following last year's Sa...
Accomplishing the rare feat of being nominated for a trio of Independent Spirit Awards (Best First Feature, Best First Screenplay, and Best Cinematography) bef...
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past r...
Any major change or innovation in a large area of a city usually means a certain population is getting left in the dust. World premiering at Tribeca Festival o...
Jordan Raup is the founder and editor-in-chief of The Film Stage and a Rotten Tomatoes-approved critic. Track his obsessive film-watching on Letterboxd.
