From long-awaited features from some of our favorite directors to genre-tinged delights to massive blockbusters, December is overflowing with films to see....
A fertile time for Brazilian cinema, the country's Oscar entry this year is Karim Aïnouz's Invisible Life, which premiered under the title of The Invisible ...
The onslaught of best-of-the-year lists from guilds and critics groups have only just begun, but one of the few of genuine interest each year comes from a singl...
After a foray into Hollywood blockbusters with Assassin's Creed, Justin Kurzel returned to Australia to tell another story of true crime, following his harrowin...
Yes, we haven't seen Cats or Rise of the Skywalker yet, but the vast majority of 2019 releases have now been released and with that, we have one of the most not...
When Waves was first announced last summer, it was revealed to have a heavy music element, so much so that it was misreported to actually be a musical. Now that...
Do the principles of God change with the shifting tides of culture? This theological question is at the heart of The Two Popes. As unanswerable as the question...
It was recently announced that Jonathan Glazer would finally be following up his bold sci-fi drama Under the Skin with a Holocaust film, one that would find him...
Though living nearly a century-and-a-half apart, there’s a shared fierce independence between the protagonists of Greta Gerwig’s two solo directorial features,...
Jordan Raup is the founder and editor-in-chief of The Film Stage and a Rotten Tomatoes-approved critic. Track his obsessive film-watching on Letterboxd.
