What if the government didn't strictly tax your paychecks and transactions, but your dreams as well? With their vibrant, imaginative, and genre-melding new fil...
With a seemingly endless amount of streaming options—not only the titles at our disposal, but services themselves–each week we highlight the noteworthy titles ...
Opening the Berlinale Film Festival about a year ago when the world was in a much different state, Philippe Falardeau's My Salinger Year follows Margaret Quall...
Starting today, the 2021 Sundance Film Festival gives us a first glimpse at the year in cinema, and this year it's available to a wider audience than ever befo...
After returning to Chile with Ema for his Jackie follow-up, Pablo Larraín is now back to major English-language productions. Shooting has begun on Spencer, whi...
"When encountering the societal and economic structures of everyday life, it’s not a rare dream for many to wonder what life may look like off the grid and out...
One of the greatest creative partnerships in modern filmmaking is continuing. After teaming for Wendy and Lucy, Meek's Cutoff, and Certain Women, Kelly Reichar...
"There is no theme. Film whatever you want, however you want, with whomever you want." This is the message that Egyptian filmmaker Sam Abbas sent to his favori...
With a seemingly endless amount of streaming options—not only the titles at our disposal, but services themselves–each week we highlight the noteworthy titles ...
While U.S. distribution has been improved in the last few years when it comes to the vast, rich offerings of Japanese cinema, there are still many gems that go...
Jordan Raup is the founder and editor-in-chief of The Film Stage and a Rotten Tomatoes-approved critic. Track his obsessive film-watching on Letterboxd.
