I love Banksy's work most because of how it comments on the commodification of art. Here's a world-renowned master who refuses to authenticate anything he's don...
A horror movie slated to open in October means buzz and solid expectations. It used to be you rarely saw the genre at any other time — back before studios disco...
Dare I say 2016 feels like a throwback to the stellar work of great auteurs doing their thing in the '70s without fear of never working in the industry again? ...
I've been lucky to have never used painkillers whether as a result of high pain tolerance or simply not having experienced enough to deem it necessary. I know p...
You have to admire Darren Lynn Bousman's ambition because he could have just kept going with the Saw franchise after taking over the reins from James Wan. Inste...
This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill seats....
Adapted from the segment "Amateur Night" from anthology film V/H/S, Gregg Bishop's SiREN intrigued me mainly because he didn't create the original. That's how i...
You can't take it with you. It's a saying we’ve all heard that leads some to donate charitably, others to invest in real estate, and more to siphon offshore for...
Eighteen years after Bulworth and fifteen after Town & Country (his last time directing and acting for a feature film respectively), Warren Beatty returns t...
