The tell-all "autobiography" Ecstasy and Me: My Life As A Woman was exactly what Hedy Lamarr's agent wanted to make quick money. But it wasn't her life. Whether...
As Les Standiford's book would tell it, Charles Dickens (Dan Stevens) found himself in somewhat of a creative rut after a lengthy and expensive tour of America ...
I'd assume the majority of people treat/treated their grandparents as somewhat of an escape. They were family who you loved and cared for that had a home you co...
Documentarian Daniel McCabe wastes no time getting to the point of his film This is Congo with the words of DRC National Army Colonel Mamadou Ndala. This smilin...
A young boy residing in the Brewster projects of Detroit follows his friend to a stash house unaware that the consequences of this moment will shape the rest of...
The opening transition from credits to film of Petra Biondina Volpe's Tribeca Film Festival Audience Award-winning The Divine Order is absolute perfection. With...
If you've ever worked an office job wherein every single one of your bosses has been promoted above his/her aptitude, you know what futility feels like. You sla...
This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill seats....
When someone kills seventeen people over a thirteen-year span with words like necrophilia and cannibalism circling each murder, sympathy for the predator — not ...
It's easy for Americans to look at a film like Eli Roth's Hostel and find themselves afraid of the situation presented as one they could fall prey to if the cir...
