Fear should never be underestimated as a means for oppression or motivation because there are few emotions more potent. This is why totalitarian regimes use it ...
While the main creative force behind I Kill Giants is unquestionably screenwriter Joe Kelly, who adapted his own limited comic series of the same name that he c...
You wouldn't be wrong to view the trailer for Gringo and think, "I've seen this before." You wouldn't be wrong to assume it gave away the entire plot either — m...
This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill seats....
For Dutch teenager Jasmine (Georgiefa Boomdijk), her homeland of Suriname (a northeastern South American country) is a footnote. She knows little about it or th...
There's multiple ways to tell stories depending on the message you wish to instill. So when the subject you're tackling concerns a country like Swaziland with a...
While it may do a better job at depicting the nihilistic depravity of living through social media at the detriment of "real life" than Ingrid Goes West, Robert ...
What is the point of having a soul if everyone around you doesn't? That's the central question asked by Rainer Sarnet's November, a bleakly told Estonian fairy ...
While you can debate the success of politically motivated events like 1970's October Crisis in Quebec, Canada, you can't question their danger removed from the ...
There's a scene in Nanouk Leopold's Cobain where the titular fifteen year-old (Bas Keizer) tells his estranged, junkie mother Mia (Naomi Velissariou) that he wa...
