When a new low-budget horror film copies Jessica Harper’s car-bound arrival from the original Suspiria within its first ten minutes, one knows instantly what t...
Perhaps the most clever idea in this prestigious throwback to potboilers of yore, The Woman in the Window, is how it upends the bourgeois escapism of most thri...
Following on the heels (and somewhat novelty) of art-film director biopics Pasolini and Godard Mon Amour comes Enfant Terrible, which spans fifteen years in th...
Goro, Liu-Kang, Scorpion… the gang’s all here to help revitalize the Mortal Kombat brand, which—depending on your age—might be primarily associated with the no...
There recently went viral a clip from some adult cartoon wherein one character mouthed the oft-mentioned Martin Scorsese opinion that superhero films were ruin...
Quentin Dupieux’s Deerskin can essentially be summarized as Divorced Guy Energy: The Movie. A ribbing of masculinity that alternates between bone-dry and morbid...
It's hard to discuss Crazy World without mentioning the experience of seeing it. As the final screening of TIFF’s Midnight Madness programme, the film was accom...
We sit down the director and star during the 2019 Toronto International Film Festival to discuss crafting the film together, and how personal it was for both of them....
The opening scene of Dolemite Is My Name shows promise: future Blaxploitation legend Rudy Ray Moore (Eddie Murphy) is trying to shuck an old record he recorded ...
Look out: we have a new entry in the “Great Man” biopic subgenre, one that has spawned films as varied as John Ford’s The Long Gray Line and, uh, Jay Roach’s Tr...
