The Adjustment Bureau is the most frustrating breed of decent films, one with a tremendous amount of potential and an abundant lack of execution. With such ...
As someone who, at first glance, greatly misunderstood Jaume Collet-Serra's Orphan in 2009, it was imperative that I went into Unknown expecting something s...
Anyone who goes into Let Me In having seen Let the Right One In will be hard-pressed not to make comparisons, and that’s more than fair. Let Me In, directed...
An Ender's Game film is actually coming close? Well, the news of Roberto Orci and Alex Kurtzman getting hired to scribe the adaptation may be the sign of ac...
Making a "life's journey" film must be difficult. The difficulty shows through the messy Barney's Version. But despite its rocky structure, this adaptation of...
It's extremely pleasant to come by a superhero film that doesn't fall into the ideal trappings of the genre. This is a group that's already starting to become...
Brad Anderson is both a reliable and extremely competent filmmaker. He rarely hits a false note with having most of his films ranging from good to pure exce...
If you were to imagine a B-version of Goodfellas in the world of politics, you'd get Casino Jack. George Hickenlooper's final film is a a hit-and-mess tale ...
It's a shame that Deadwood ended up just like Carnivale and Rome: a fantastic series canceled far, far too early on. How a series like Entourage runs as long ...
“They specialize in the ridiculousness” is a line Jessica Biel spouts early on in The A-Team, and that line represents the film as a whole. It’s nothing but...
