Dylan Chester

[Review] The Adjustment Bureau

The Adjustment Bureau is the most frustrating breed of decent films, one with a tremendous amount of potential and an abundant lack of execution. With such ...

[Review] Unknown

As someone who, at first glance, greatly misunderstood Jaume Collet-Serra's Orphan in 2009, it was imperative that I went into Unknown expecting something s...

[Blu-Review] Let Me In

Anyone who goes into Let Me In having seen Let the Right One In will be hard-pressed not to make comparisons, and that’s more than fair. Let Me In, directed...

[Review] Barney’s Version

Making a "life's journey" film must be difficult. The difficulty shows through the messy Barney's Version. But despite its rocky structure, this adaptation of...

[Review] The Green Hornet

It's extremely pleasant to come by a superhero film that doesn't fall into the ideal trappings of the genre. This is a group that's already starting to become...

[Review] Vanishing on 7th Street

Brad Anderson is both a reliable and extremely competent filmmaker. He rarely hits a false note with having most of his films ranging from good to pure exce...

[Review] Casino Jack

If you were to imagine a B-version of Goodfellas in the world of politics, you'd get Casino Jack. George Hickenlooper's final film is a a hit-and-mess tale ...

[Blu-Review] The A-Team

“They specialize in the ridiculousness” is a line Jessica Biel spouts early on in The A-Team, and that line represents the film as a whole. It’s nothing but...