Dan Mecca

[Review] We Are Your Friends

Let it be so, 2015 is the year of EDM (Electronic Dance Music) in film. Earlier this summer, we were given Eden, a little-seen but much-loved chronicle of a Fre...

[Review] Fantastic Four

Finally coming out at the end of another predictably superhero/remake/sequel-laden summer, Fantastic Four opens with its back against the wall. Though undeniabl...

[Review] Magic Mike XXL

Everyone’s favorite male stripper (sorry, male entertainer) is back. Only this time, he’s gone legit! It's been three years and Mike Lane (Channing Tatum) is ru...

[Review] Aloha

Cameron Crowe has made a career telling stories of flawed men who are saved thanks to young, quasi-magical women. His best films have shown the cracks in these ...

[Review] Get Hard

The premise behind Etan Cohen's directorial debut, Get Hard, should work. A super-rich finance wiz named James King (Will Ferrell) is convicted for numerous cou...

[Review] The Lovers

The career of of British filmmaker Roland Joffé is a strange one. A television director for a decade in the U.K., he earned a Best Director Oscar nomination for...

[Review] Accidental Love

In early 2008, David O. Russell began production on a film called Nailed, a satire meant to dig into the hypocrisies of the American healthcare system. Two year...

[Review] The Rewrite

In the breezy rom-com The Rewrite, Hugh Grant plays Keith Michaels, an Oscar-winning screenwriter who's rundown and washed-up enough to take a teaching job in u...

[Review] Wild Card

How many Jason Statham movies does this make? Over the last decade or so, the star has become a staple of the mid-winter/late-summer release windows. His mid-bu...

Dan Mecca

Managing Editor

Dan Mecca is the co-founder and managing editor of The Film Stage. He is a producer and filmmaker living in Pittsburgh. He watches a lot of movies and tracks them on Letterboxd.