Note: This review was originally published as part of our 2024 Thessaloniki coverage. When the Light Breaks is now available digitally.
Watching When the Li...
The extended opening of The Incomer, written and directed by Louis Paxton, is very funny and engaging. That the film never reaches those heights again is somet...
undertone (stylized all-lowercase) writer-director Ian Tuason staged his debut feature entirely in his Toronto childhood home with only two on-screen actors, w...
The best thing about Brydie O’Connor's documentary Barbara Forever is how it functions as an interesting, engaging movie on its own terms. It concerns the ...
Since taking his debut feature Winter Brothers to the Locarno Film Festival in 2017, Hlynur Pálmason has gradually made his name as one of Europe's most eclect...
Nearly all of Hong Sangsoo's films are funny—Funny Ha Ha does what it says on the tin—but it's been a moment since the man released a proper comedy. This made ...
The thing about New York City is: it’s never as good as it was, yet it’s still better than anywhere else. The only thing constant is change, and the city i...
Florencia Martin's second feature collaboration with Paul Thomas Anderson following Licorice Pizza and her second Oscar nomination following Babylon, One Battl...
With Sundance now underway, the next major festival on our radar is Berlinale, which kicks off on February 12. Today we're proud to present the exclusive trail...
There’s been a lot of reflection at the 2026 Sundance Film Festival, the last to be held in its original home of Park City, Utah. Jay Duplass is one of many fo...
