Philip Gelatt and Morgan Galen King’s The Spine of Night is an impassioned tribute to adult animation, dark fantasy, and truly ambitious genre epics of the typ...
Despite any prescience on behalf of its subject matter, I’m sure even the playwright himself, Jonathan Larson, would have looked back on his big-budget, s...
You can't avoid questions of race when discussing a situation such as that at the center of Emily Kuester and Brad Lichtenstein's documentary Messwood. The tit...
I hadn't seen any of Adrienne Shelly's work at the time of her death, but you couldn't follow the film world in 2006 without hearing about what happened. News ...
Potently blending long-awaited classics, new filmmakers, and a modern-ish American classic, Criterion's February slate has arrived. No 4K discs, sadly, but we'...
A stellar snapshot of recent Japanese cinema is coming next month to the Japan Society. Flash Forward: Debut Works and Recent Films by Notable Japanese Directo...
After going international with the Isabelle Huppert-led Frankie, it looks like American director Ira Sachs is continuing the trend with his next feature. The L...
Welcome, one and all, to the latest episode of The Film Stage Show! Today, Brian Roan, Bill Graham, and Robyn Bahr are joined by Jordan Raup to discuss Ryusuke...
There are multiple moments during Oasis Knebworth 1996, the hugely entertaining documentary revisiting the Britpop legends’ most gargantuan concert, when prese...
Following premieres at Cannes and TIFF, Eva Husson's star-studded drama Mothering Sunday will finally arrive soon. Starring Odessa Young, Josh O’Connor, Olivia...
