Every new romance begins with the fantasy of everlasting happiness. Film as an art form is adept at capturing the intensity of euphoric early moments shared be...
I’ve seen and reviewed many of Kevin Macdonald’s narrative feature films but can hardly remember any of them. State of Play, The Last King of Scotland, Black S...
The magic Kate DiCamillo imbues within the pages of Flora & Ulysses is infectious. Not only is her book a smart and witty adventure that refuses to shy fro...
As detailed in his brilliant new Harpers essay, Martin Scorsese is not only continuing to make masterpieces along with highlighting and preserving all corners ...
As we expected, the pandemic was not going to stop the prolific Hong Sangsoo from completing a new film. After premiering The Woman Who Ran at Berlinale last y...
I first heard about PVT Chat during its long post-production period in 2019. The film struck me as too good to be true: an erotic drama, directed by Ben Hozie ...
"Seriously?" asked the celebrated, thrice-Oscar-nominated actress of an overstepping journalist.
It was April 2018 and Michelle Pfeiffer was sitting on the ...
One of the best films we saw on the film festival circuit last year is coming to the U.S. for an official release next month. Christine Molloy and Joe Lawlor's...
Building up a towering body of work over the last four decades, it's remarkable that Hou Hsiao-hsien hadn't had a film in The Criterion Collection––until now. ...
Nothing happens in James Vaughan’s Friends and Strangers in the same way that nothing happens in the films of Hong Sangsoo. The people navigating this entranci...
