If any film composer of the last decade defined the period best, it might’ve been Jóhann Jóhannsson, whose synthy, epic tones captured the turbulent, globalize...
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile reperto...
Not a huge amount takes place at the beginning of Days. The opening exchanges are elemental: wind blows; rain patters; grass shivers; a boy in pink shorts play...
Candyman is back. A sequel to Bernard Rose's 1992 horror feature, based on Clive Barker's short story The Forbidden, this new creation comes from the minds of...
The horrors contained in the new restoration of Come and See aren't enough for a viewer, another uncompromising World War II drama will be arriving later this ...
A cruise ship off the coast of Patagonia becomes a portal into the lives of others in Uruguayan director Alex Piperno’s stubbornly esoteric debut Window Boy Wo...
If one were to think of the cinematographers that defined the medium in the last decade, Sean Price Williams would be near the top. From his collaborations wit...
Succinctly potent like a concentrated shot of a mood-altering substance, Camilo Restrepo’s Los Conductos renders a Colombian portrait of a damaged soul reclaim...
Nina Hoss and Lars Eidinger, two of Germany’s preeminent acting talents, play twins coming to terms with a diagnosis of terminal illness in My Little Sister, t...
The Woman Who Ran opens on a lovely shot of hens. The camera then pulls back to show the garden of a middle-class apartment block where a woman named Youngsoon...
