The stunning vistas aren't the only signifiers of the western genre in Damsel, yet we quickly grasp that David and Nathan Zellner have crafted revisionist t...
Jean Cocteau's filmography could be considered relatively modest compared to some of his French brethren -- but with an output among cinema's most immense, ...
After winning the Palme d'Or for his latest drama Shoplifters (our review), the always-prolific Hirokazu Kore-eda is already embarking on his next project, ...
Though his debut feature premiered in 2007, Ryûsuke Hamaguchi lacked for anything like notable western recognition until the (seemingly) sudden arrival of 2...
Last week we saw a film from Pawel Pawlikowski that crossed continents and spanned decades and lasted a mere 84 minutes. With the exception of a devastating cli...
After approximately three years, the 2018 Cannes Film Festival is coming to an end, and the Cate Blanchett jury -- also consisting of Kristen Stewart, Denis...
There is a movie within the movie Knife + Heart and it boasts the slightly euphemistic title of Homocidal (although I prefer the working title: Anal Fury). It i...
Sergei Loznitsa’s Donbass forms a rough trilogy with two of his previous features, My Joy (2010) and A Gentle Creature (2017), offering another social allegory ...
