If you ask our critics on the ground, a number of great films have already premiered at Cannes -- mostly in competition, however. And while those screening ...
He can be seen in films from Michael Haneke, Lars von Trier, Olivier Assayas, Mia Hansen-Løve, Noah Baumbach, Bertrand Bonello, Ruben Östlund, and more, but...
If African film is inarguably the worst-represented section of international cinema, Janus Films have outshone their already-high standards with the restora...
Word of a new Agnès Varda project is hardly commonplace -- it's sometimes unclear if she's even still working -- so this tentative announcement gets more at...
While Jeff Nichols' unblemished streak thus far had our expectations high for Loving, we were curious if his first period drama, and the first time taking o...
David McKenzie’s Hell or High Water is a gritty, darkly humorous, and fiendishly violent neo-western. Or, in other words, the type of film you might expect from...
Although it was looking like Lars von Trier may follow the path of many an auteur nowadays and head to television for his next project, instead his English-...
In his Village Voice review of Jim Jarmusch’s criminally under-appreciated The Limits of Control, J. Hoberman described the director as “a full-blown talent er...
Pablo Larraín is not finished wrestling with his nation’s psyche. His first three films, Tony Manero, Post Mortem, and No, formed a loose triptych that confront...
