After mysteriously withdrawing from Cannes a few months back, Fatih Akin's The Cut lands at the Venice Film Festival as one of the highest-profile titles in the...
With Prince Avalanche and Joe (also competing for the Golden Lion in Venice) audiences could feel very comfortable in their newly-repositioned set of expectatio...
In 2003, Oliver Stone, the provocative director behind Platoon and Natural Born Killers, debuted his documentary on Fidel Castro. The hour-and-a-half featur...
Not to be confused with one of the best films of last year, another Leviathan premiered at Cannes Film Festival earlier this year, where it picked up the to...
A few brain cells short and a handful of years too late, The November Man arrives in theaters, the longtime passion project of former James Bond player Pierce B...
With a seemingly endless amount of streaming options -- not only the titles at our disposal, but services themselves -- we've taken it upon ourselves to hig...
Ramin Bahrani made a name for himself with three independent films over the last decade, focusing on humanity's daily struggles, reinvented foreign lives in Ame...
Actor and writer Bill Hader has employed his love for the craft of filmmaking throughout his career. Frequent references to classic features and film tropes...
Dailies is a round-up of essential film writing, news bits, and other highlights from across the Internet. If you'd like to submit a piece for consideration...
When sitting down to watch The Look of Silence – Joshua Oppenheimer's follow-up to 2012's harrowing The Act of Killing – you're struck by how quickly you can sl...
