Bourne is back, but not the actual character. Matt Damon and Paul Greengrass have handed over the franchise to writer of the trilogy Tony Gilroy (Michael Clayton, Duplicity) and Jeremy Renner in the upcoming The Bourne Legacy. Renner plays Aaron Cross in the film also starring Rachel Weisz, Edward Norton, Oscar Isaac, Joan Allen, Albert Finney, Stacy Keach and Scott Glenn, and we have our first trailer today. Check it out below via Apple.
While this just teases, I’m quite looking forward to Gilroy’s directing approach. Losing the shaky cam feel of Greengrass’ movies looks to be a big positive and Edward Norton as a villain has me completely sold. It looks like they are headed in a new, exciting direction and I don’t miss Damon much at all. After tight direction of Duplicity and Michael Clayton, I think the Bourne franchise is in safe hands.
The narrative architect behind the Bourne film series, Tony Gilroy, takes the helm in the next chapter of the hugely popular espionage franchise that has earned almost $1 billion at the global box office: The Bourne Legacy. The writer/director expands the Bourne universe created by Robert Ludlum with an original story that introduces us to a new hero (Jeremy Renner) whose life-or-death stakes have been triggered by the events of the first three films. For The Bourne Legacy, Renner joins fellow series newcomers Rachel Weisz, Edward Norton, Stacy Keach and Oscar Isaac, while franchise veterans Albert Finney, Joan Allen, David Strathairn and Scott Glenn reprise their roles.
The Bourne Legacy hits theaters August 3rd, 2012.
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory showings into one handy list. Displayed below are a few of the city’s most reliable theaters and links to screenings of their weekend offerings — films you’re not […]
In the case of evaluating David Cronenberg, — or at least forming the sort of career narrative seemingly essential to auteurist analysis — it’s inevitable to propose something of a rupture within his oeuvre: the very evident graduation from grindhouse to arthouse, and, with it, an ascension from body to mind. What dictated these labels […]
Every week we dive into the cream of the crop when it comes to home releases, including Blu-ray and DVDs, as well as recommended deals of the week. If we were provided screener copies, we’ll have our own write-up, but if that’s not the case, one can find official descriptions from the distributors. Check out […]
Writing about the films of Robert Bresson usually begins by informing reader that his films must be discussed through a trance of hushed tones and quiet veneration. There is no room for rushed judgement or quick-witted observations; Bresson makes Serious Art, as opposed to Hollywood directors who do not. There are the key phrases to […]
Latest posts from Beats Per Minute