Sitting near the very top of our most-anticipated films of 2013 is the next work from Iranian director Asghar Farhadi, who last gave us the Academy Award-winning drama A Separation. Led by The Artist star Bérénice Bejo and A Prophet‘s Tahar Rahim, The Past is all but confirmed to premiere in competition at Cannes and now the first trailer and poster have arrived today, thanks to Allocine.
Although it’s not subtitled (we’ll update that as soon as it pops up), one can glean that Farhadi is continuing his masterful skill of creating intense, personal dramatic work. The story concerns an Iranian man (Ali Mosaffa) who goes back to his home country after wanting a divorce from his wife in France, but when he returns, he finds that his significant other has moved on. Check out the first trailer in HD and poster below for the film that will hopefully get U.S. distribution soon.
Update: Check out a version with subtitles below for the film that will play in competition.
The Past opens in May internationally after a likely Cannes bow.
With summer winding down, more often than not August has us wishing we could simply skip ahead a month to kick off the fall festival season. This year, however, there’s a handful of worthwhile options, including Marvel’s best offering yet, peculiar festival titles that are finally arriving in theaters (some 15 months later), and much […]
Every week we dive into the cream of the crop when it comes to home releases, including Blu-ray and DVDs, as well as recommended deals of the week. If we were provided screener copies, we’ll have our own write-up, but if that’s not the case, one can find official descriptions from the distributors. Check out […]
Welcome to the latest episode of our official podcast, The Film Stage Show. This week, editor Nick Newman, writer Danny King, and I dive right into Richard Linklater‘s 12-year intimate epic Boyhood. After that, we take a look at the films coming to theaters and home video in the coming week, including Noah, Twin Peaks: The Entire Mystery, Guardians of the […]
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