Although we’ve seen a handful of trailers for Quentin Tarantino‘s Django Unchained, there’s still much more to be uncovered for one of the most-anticipated movies this fall. As evidence in a batch of new stills arriving tonight, we’ve got our first look at a few previously veiled supporting players.
Below one can see Walton Goggins, fittingly perfectly as a slave wrangler to Leonardo DiCaprio‘s Calvin Candie. Then we’ve also got a look at Don Johnson as slave owner Spencer “Big Daddy” Bennett, a man who oversaw our main character (and his wife Broomhilda) being sold into slavery. There’s also much more to be had so check out all the stills above and below from Omelete via Tarantino Archives.
Set in the South two years before the Civil War, DJANGO UNCHAINED stars Academy Award(R)-winner Jamie Foxx as Django, a slave whose brutal history with his former owners lands him face-to-face with German-born bounty hunter Dr. King Schultz (Academy Award(R)-winner Christoph Waltz). Schultz is on the trail of the murderous Brittle brothers, and only Django can lead him to his bounty. The unorthodox Schultz acquires Django with a promise to free him upon the capture of the Brittles–dead or alive.
Django Unchained arrives on December 25th.
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory showings into one handy list. Displayed below are a few of the city’s most reliable theaters and links to screenings of their weekend offerings — films you’re not […]
In the case of evaluating David Cronenberg, — or at least forming the sort of career narrative seemingly essential to auteurist analysis — it’s inevitable to propose something of a rupture within his oeuvre: the very evident graduation from grindhouse to arthouse, and, with it, an ascension from body to mind. What dictated these labels […]
Every week we dive into the cream of the crop when it comes to home releases, including Blu-ray and DVDs, as well as recommended deals of the week. If we were provided screener copies, we’ll have our own write-up, but if that’s not the case, one can find official descriptions from the distributors. Check out […]
Writing about the films of Robert Bresson usually begins by informing reader that his films must be discussed through a trance of hushed tones and quiet veneration. There is no room for rushed judgement or quick-witted observations; Bresson makes Serious Art, as opposed to Hollywood directors who do not. There are the key phrases to […]
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