Although a handful of films hit IMAX theaters every month, there’s only a minuscule amount that actually utilize the large-format camera during production, with the rest simply up-converting to take advantage. About 20-30 minutes from Christopher Nolan‘s The Dark Knight and Brad Bird‘s Mission: Impossible – Ghost Protocol and around 10 minutes from Michael Bay’s Transformers: Revenge of the Fallen can be see in this jaw-dropping clarity. In the near future, The Dark Knight Rises plans to have about an hour in IMAX, while J.J. Abrams‘ Star Trek 2 is said to include some footage in this format next summer.
We can now add another film to this small group, as THR reports director Francis Lawrence plans to “shoot certain scenes” in the format for The Hunger Games: Catching Fire, with the rest being digitally remastered for release. While that’s all the information we currently have, it certainly increases my anticipation, in just the sense of a theatrical experience. If they’re keeping the same shaky-cam aesthetic, my only hope is that Lionsgate doesn’t also go the 3D route. And please, bring back Steven Soderbergh for some more second-unit work.
The Hunger Games: Catching Fire hits wide release, now including IMAX, on November 22nd, 2013.
With a seemingly endless amount of streaming options — not only the titles at our disposal, but services themselves — we believe it’s our duty to highlight the recent, recommended titles that have recently hit the interwebs. Every week, one will be able to see the cream of the crop (or perhaps some simply interesting picks) of [...]
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory showings into one handy list. Displayed below are a few of the city’s most reliable theaters and links to screenings of their weekend offerings — films you’re not [...]
After months of behind-the-scenes efforts, this weekend will bring the start of Jamieson McGonigle‘s Jesse James Revival, a fan-led initiative to bring Andrew Dominik‘s The Assassination of Jesse James by the Coward Robert Ford back to the big screen — as it was always meant to be seen, and, too, in the most pristine conditions [...]
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