The success of Suzanne Collins’ young adult fantasy series The Hunger Games, as well as the highly anticipated March release of its film adaptation, has the industry clamoring to cash in on the newest teen pop culture obsession: strong-willed dystopian heroines.
It was announced this week that the independent production company Kerry, Kimmel and Pollack (KK&P) purchased the film rights to the post-apocalyptic novel Eden by Keary Taylor. The story follows Eve (of course), a teenage girl struggling unravel the secrets of her past in a futuristic world where all but two percent of the human population was wiped out by killer robots. The similarities to Collins’s literary hit seem to end with the female protagonist, but that hasn’t stopped it from being marketed as a “cross between The Hunger Games and The Terminator.” [Variety]
As if it couldn’t be more primed to become the next teen sensation, Mark Morgan, who helped bring such adolescent literature as the Twilight series and Percy Jackson & the Olympians: The Lightning Thief to the big screen, is producing. Brett Hudson, Michael Pollack and “Beautiful Creatures” series co-author, Kami Garcia, have also been tapped to produce, but no word yet on possible choices to pen and direct the film.
Has the teen sci-fi/fantasy craze hit its peak? Will young audiences embrace Eden?
In the case of evaluating David Cronenberg, — or at least forming the sort of career narrative seemingly essential to auteurist analysis — it’s inevitable to propose something of a rupture within his oeuvre: the very evident graduation from grindhouse to arthouse, and, with it, an ascension from body to mind. What dictated these labels […]
Every week we dive into the cream of the crop when it comes to home releases, including Blu-ray and DVDs, as well as recommended deals of the week. If we were provided screener copies, we’ll have our own write-up, but if that’s not the case, one can find official descriptions from the distributors. Check out […]
Writing about the films of Robert Bresson usually begins by informing reader that his films must be discussed through a trance of hushed tones and quiet veneration. There is no room for rushed judgement or quick-witted observations; Bresson makes Serious Art, as opposed to Hollywood directors who do not. There are the key phrases to […]
With a seemingly endless amount of streaming options — not only the titles at our disposal, but services themselves — we believe it’s our duty to highlight the recent, recommended titles that have recently hit the interwebs. Every week, one will be able to see the cream of the crop (or perhaps some simply interesting picks) of […]
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