While I’m sure many cast members will be returning for Andrew Stanton‘s Finding Nemo 2, we’ve got the first confirmation today. The Hollywood Reporter lets us know that Dory is back, as Ellen DeGeneres is in talks with Disney/Pixar to join the project, marking her first feature film role since that 2003 project.
We got word earlier this summer that Stanton would be back to helm, following his disappointing John Carter earlier this year and making perhaps the safest career move possible. It’s also been revealed that New Best Friend writer Victoria Strouse is on board to script the film. While no story has been revealed yet, we do know that Stanton had a concept that studio adored, so could there be a newfound focus on our blue tang fish suffering from memory loss?
DeGeneres was surely one of the most memorable characters in the original, so I wouldn’t be surprised if this film features her more prominently. The only other tidbit we have is that Pixar is aiming for a 2016 release, something that certainly makes sense after they are booked with Monsters University next year, The Good Dinosaur in 2014 and The Untitled Pixar Movie that Takes You Inside the Mind following that.
What do you want to see in a Finding Nemo sequel?
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory showings into one handy list. Displayed below are a few of the city’s most reliable theaters and links to screenings of their weekend offerings — films you’re not […]
In the case of evaluating David Cronenberg, — or at least forming the sort of career narrative seemingly essential to auteurist analysis — it’s inevitable to propose something of a rupture within his oeuvre: the very evident graduation from grindhouse to arthouse, and, with it, an ascension from body to mind. What dictated these labels […]
Every week we dive into the cream of the crop when it comes to home releases, including Blu-ray and DVDs, as well as recommended deals of the week. If we were provided screener copies, we’ll have our own write-up, but if that’s not the case, one can find official descriptions from the distributors. Check out […]
Writing about the films of Robert Bresson usually begins by informing reader that his films must be discussed through a trance of hushed tones and quiet veneration. There is no room for rushed judgement or quick-witted observations; Bresson makes Serious Art, as opposed to Hollywood directors who do not. There are the key phrases to […]
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