[Tribeca Review] First Monday In May
Following in the vein of last year’s excellent Ballet 422, First Monday In May offers another process-heavy view into the preparation of a prestigious event. T...
Wong Kar-wai
Symmetry of ‘Amélie,’ Visconti’s Ambiguity, Analyzing ‘Black Rainbow,’ Making of ‘Krisha,’ and More
Dailies is a round-up of essential film writing, news bits, videos, and other highlights from across the Internet. If you'd like to submit a piece for consi...
‘Carol’ Leads the Top 30 LGBT Films of All-Time, According to BFI Poll
"Todd Haynes' filmography is often overwhelming in its intellectual acumen and emotional devastation," we noted upon the release of his latest film this past fa...
Mark Cousins and Christopher Doyle Explore Northern Ireland In Trailer for ‘I Am Belfast’
It's one of the oldest rules in the book, or at least the most resilient since the early '90s: if Christopher Doyle was involved in a film, said film will l...
Watch a Video Essay on Dance In the Films of Wong Kar-wai
The wait for a new Wong Kar-wai picture might be long, frustrating, and filled with doubt, yet the results tend to be immensely satisfying and, in terms of ...
Gaspar Noé and Ben Mendelsohn Talks, AFI Fest Winners, ‘Frank or Francis’ Update, and More
Dailies is a round-up of essential film writing, news bits, videos, and other highlights from across the Internet. If you'd like to submit a piece for consi...
‘James White’ Director Josh Mond on Getting Personal, Finding the Ending, Joachim Trier, and More
We talk to the first-time director about crafting one of the most emotional dramas of the year....
Trailer for Christopher Doyle’s ‘Hong Kong Trilogy’ Arrives Ahead of TIFF Premiere
From his years shooting and directing features, most notably under the guidance of Wong Kar-wai, Christopher Doyle's developed a love and eye for Hong Kong ...
Watch: Explore the Framing and Language of ‘In the Mood For Love’ In New Video Essay
Being one of the 21st century's most acclaimed films, Wong Kar-wai's In the Mood for Love is quickly approaching the point where everything that can be said...
[Cannes Review] The Assassin
The Cannes Film Festival represents the pantheon of arthouse cinema, so it does raise eyebrows when a wuxia movie is included in its official selection. After a...