Paul Greengrass, director of United 93 and Bloody Sunday, returns to the realm of the “too soon?” with 22 July, a clichéd and rather problematic film–with a fra...
Jennifer Kent’s The Nightingale features some of the most atrocious on-screen violence in recent memory. It is a cauldron of blood, murders, and rapes so unflin...
Last year, Willem Dafoe earned a great deal of acclaim for his tender supporting turn in The Florida Project. The venerable actor's streak will continue thi...
Veteran filmmaker Frederick Wiseman adds a quaint but important little chapter to his great oeuvre with Monrovia, Indiana. It's 143 minutes long, which is about...
After recruiting Sufjan Stevens for Call Me by Your Name, Luca Guadagnino continues his streak of attracting trailblazing musical talent for his projects wi...
"Let's see what's behind this." That's the very first line we hear in Sunset, László Nemes' masterful follow-up to his 2015 breakout Son of Saul, a daring debut...
After one film this year about the 2011 Norway attacks, in which right-wing terrorist Anders Behring Breivik killed 77 in the worst attack in the country si...
Following up The Lobster and The Killing of a Sacred Deer, Yorgos Lanthimos is back with Olivia Colman, Emma Stone, and Rachel Weisz. The Favourite follows ...
Alongside festival favorites from earlier this year (and beyond) all the way up to films just debuting at Telluride, Venice, and TIFF, it's a strong start to a promising season for movie-going....
With an eye for indelible visuals like few other directors working today, Argentinian helmer Gastón Solnicki is returning to the Venice International Film F...
