For a mystery film, Sergio G. Sánchez’s Marrowbone inspires a lot of questions, although they’re more related to what’s outside the film. Here’s a question that...
Lynn Shelton's latest film, Outside In, offers what you might expect from a screenplay co-written by mumblecore vet Jay Duplass and the director herself. The dr...
Paul Schrader has been open about the original intentions for his most famous work, the screenplay to Martin Scorsese’s Taxi Driver. Writing it in the vein of R...
The Room, a film produced, directed, written, and led by “entrepreneur” Tommy Wiseau, was supposed to be his grand artistic statement. What turned out instead w...
I can't really be held accountable for believing that the combined efforts of legendary German auteur Wim Wenders, Academy Award-winner Alicia Vikander, and the...
It was always funny to think of Ted Kennedy as "the other Kennedy." How could you not? Despite his long tenure as Massachusetts Senator, he wasn't "anointed" li...
The world doesn't need another film about an irredeemable artist who forsook his wife and child for his art only to begrudgingly (and fearfully through too many...
It starts with a London-based rabbi speaking from his heart about the complexities of life. He stammers through — obviously ailing — until collapse. Suddenly we...
Turkish-French filmmaker Deniz Gamze Ergüven's 2015 feature Mustang was such a captivating, empathetic debut that many were confident she wouldn't be inflicted ...
