After fifteen years in jail for murder, Ronan Callahan (Moe Dunford) returns home to find his victim's father caught in a loop. Every day spent behind bars was ...
It's weird to think about a movie like Push today — an under-appreciated, much-maligned sci-fi that I'd argue is a lot better than the legacy it's been given. T...
Two strangers running from personal demons collide at the start of Laura Luchetti's Sardinia-set Twin Flower. He (Kallil Kone's Basim) is an Ivory Coast immigra...
Nicole Kidman is relentless in the fascinating, ambitiously pitch-black, often off-putting police drama Destroyer. Karyn Kusama’s follow-up to the slow-burn hor...
By Bedatri D. Choudhury
Neil Jordan's Greta starts off being a story of two lonely people living in New York: the eponymous Greta (Isabelle Huppert) and France...
There’s a strange, unspoken melancholy that hangs over the otherwise loose and endearing The Old Man & the Gun, a collective acknowledgement of the passage ...
Often when one is reviewing a film, there can be a need to ascribe some kind of motivation to a director. While yes, we have to admit that a film is often the c...
Throughout the early 1970s, Carlos Robledo Puch committed a number of homicides and robberies that scandalized Argentina. Dubbed “El Angel” by the press for his...
Writer Shane Black had a good year in 1987. He burst onto the action screenwriting scene with Lethal Weapon, co-wrote the cult classic children versus Universal...
Can skin tell the difference between love and desire? It's an intriguing question Marie-Claire (Brigitte Poupart) can't help but want to answer as a dermatology...
