Dual, the third feature from writer/director Riley Stearns, follows a young woman named Sarah (Karen Gillan), who opts to be replaced with a “double” after fin...
After nine days, 84 feature films, and 59 short films, the Sundance juries have announced their winners, with all films screenings over Saturday and Sunday and...
An accurate measure of great music would probably be connected to longevity. In other words the notion that an individual song or album will sound as rewarding...
Early in Daniel Roher’s alarming and essential documentary Navalny, Russian opposition leader Alexei Navalny sits in Germany, having recovered from being poiso...
The much-anticipated follow-up to her excellent documentary Coded Bias, Shalini Kantayya’s TikTok, Boom. doesn’t quite know what to make of the addicting viral...
Chilean filmmaker Francisca Alegria’s The Cow Who Sang a Song Into the Future opens on pensive shots of the river and its inhabitants, most of whom are dead. A...
A few thrillers have premiered at this year’s Sundance Film Festival that feature vulnerable and underestimated women, but none of them carry the quiet, enigma...
Tonally disjointed but at times hilarious, Adamma Ebo’s feature adaptation of her popular short seems to have taken a misguided shape. This religious satire th...
What defines bodybuilding, rather than a general fitness regime or the physical conditioning required for contact sports, is how it sees strength as an end to ...
The characters in Justin Benson and Aaron Moorhead’s films shouldn’t be in these situations. They’re out of their depth, caught up on a conspiracy, a cult, or ...
