Dailies is a round-up of essential film writing, news bits, and other highlights from our colleagues across the Internet -- and, occasionally, our own write...
The team behind Joe on he way this film and Green's last film, Prince Avalanche, feel like they share some DNA beyond just the director, the way that Green incorporates pieces of the actors into their characters, the importance of the facial hair that Cage sports and whether it was real or not, what kind of personal experiences Cage and Green brought to the film, and much more....
The test screening process should be a useful one for filmmakers; showing a film to an audience, especially a comedy, you can figure out what works and what doe...
Released on February 8th, 1976, Taxi Driver is a film is so strongly a product of its director’s fascinations and cinematic ferocity that discussion of the ...
After crafting "cinema for the post-theatrical era" with the low-budget, partially Kickstarted erotic drama The Canyons (our review), Paul Schrader is getti...
Since 1989, the National Film Registry of the Library of Congress has been accomplishing the important task of preserving films that “represent important cu...
When the Criterion Collection announced that Yasujirô Ozu’s towering 1953 work, Tokyo Story, would be coming to Blu-ray, my first reaction was “shit.” Not t...
As introduced by a very reverent John Lithgow, the hour-long documentary “The Film School Generation” -- made in 1995 as part of an omnibus TV project entit...
