If one considers last month's round-up of films such as Prisoners, Rush, and Enough Said as a worthy appetizer for the fall season, October is the main d...
The parking lot, always glimpsed from the same perched, high-angle camera position, is the edge of society in Alain Guiraudie’s Stranger by the Lake. Men pull u...
Following a P & I screening at the New York Film Festival this past Thursday, the creative team behind Inside Llewyn Davis -- i.e. Joel and Ethan Coen, ...
As one might expect, last night's Breaking Bad finale was the ideal venue for competing studios to reach the eyeballs of millions. 20th Century Fox showed o...
To draw an easy comparison, Captain Phillips is this year’s Argo. Ben Affleck's Best Picture winner, though a highly suspenseful thriller, was also one in which...
What James Franco tries, valiantly, is the equivalent of attempting to novelize Ingmar Bergman’s Persona or Jean-Luc Godard’s Breathless. The former is nigh imp...
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repe...
Following a successful bow at Cannes in the Un Certain Regard section, Claire Denis' new drama Bastards will finally hit U.S. shores shortly, as it's set to...
A woman sits at the edge of a bed, brushing her hair while a young boy and girl are positioned to her side, sleeping soundly. The camera, stationary, can captur...
Although they couldn't be more different -- one a laidback, black-and-white road trip drama, the other a vibrant, dark thriller -- we're greatly anticipatin...
