Quentin Dupieux returns with The Second Act, a playfully dour satire on the film industry that sees the French absurdist delve further into the apocalyptic moo...
We're now just about a week away from the highly anticipated Cannes Film Festival premiere of Leos Carax's next film, a 40-minute cine-memoir about his work ti...
Léa Seydoux tells me "it may be nicer to have eye contact." Though I was informed our interview would be audio-only––no complaints; time with the most exciting...
It flew under the radar that Ildikó Enyedi (most recently of Story of My Wife, most notably of My Twentieth Century) had suited a role for Tony Leung in her ne...
Though we're likely just two months from Arnaud Desplechin's next feature Spectateurs! (exclamation point his, but really mine as well) he's already mobilized ...
Probably you've noticed our enthusiasm over Bertrand Bonello's The Beast, a major evolution in genre and ambition for one of the world's greatest filmmakers. T...
Quentin Dupieux works at such a dizzying clip––"the French Hong Sangsoo," they're calling him somewhere, I assume––that a film of his so readily grabs our atte...
It's not quite the first time we've written about a video game, but it's surely the first I've felt so compelled. So's my compulsion with Hideo Kojima, that ra...
Featuring one of a handful of great performances Léa Seydoux gave in 2022 releases, Mia Hansen-Løve's tender drama One Fine Morning is one of the major films o...
If we were so grateful to get a new David Cronenberg film in the first place, it was a pleasant surprise Crimes of the Future also wouldn't be his final hurrah...
